WRITEITNOW 4 HOW TO
WRITEITNOW 4 SOFTWARE
WRITEITNOW 4 PLUS

WRITEITNOW 4 SOFTWARE

This software lets you outline and track chapters, characters, events, locations, notes, ideas, references and more. It will help you to create, organize and connect all necessary elements that comprise good storytelling. The level of organization in this writing software goes beyond others in our ranking. WriteItNow has a sleek, modern interface and intuitive features and functions that make it the best creative writing software on the market. Keep background information organized with: You can also generate names, characters and ideas. Some of the many tools include Thesaurus, Story Board, Spelling Checker, Readability Checker, Word Count, and Charts.

WRITEITNOW 4 PLUS

Write your novel as a series of chapters plus scenes. And I’m going to explain how it’s done in the next few weeks.WriteItNow Writing Software 4.0.7.0f | 32 MB

WRITEITNOW 4 HOW TO

Learning how to get that control is one of the key writing skills authors must have. Look at the way she carefully styled the Harry Potter books for increasing reading ages – a degree of fine control over her writing pitch that is simply stunning.

Today’s doyen of the art, to my mind, is J K Rowling, who has complete control of her words. It is one of the points that differentiates the ‘unconsciously competent’ – the expert writers who have paid their 10,000 hour/million word dues – from the rest.Ĭall it ‘making words part of your soul’.

How difficult? True mastery of style is ‘unconscious competence’, the ability to mould words as desired into any form. It is a difficult skill to learn, but it is one that should be learned, and it is one that must be learned. The reality is that styling is like any other learned skill, and one that does not automatically arrive. I was surprised the publishers hadn’t subbed it, but there it was in black-and-white. Actually, the book was so incompetently written the author couldn’t even get the tenses right. As writing, though, it was a choking mass of wooden academic-speak the styling, such as it was, emerged only as an accidental by-product. I recall once reviewing a book by a historian with 40-year career – and the work was competent enough, historically. That’s where the control comes in that I was discussing last week. An author’s distinctive ‘voice’ must also be translatable across the likely requirements – retaining that characteristic form, but adapted to the specifics of a particular writing form such as a short story, novella, novel, feature article, review, essay, or whatever. There is also the point that different forms of writing require different stylings a novel demands different style, for example, from a feature article or a book review. It isn’t something that happens overnight. Getting from ‘words that just came out that way’ to ‘words that come out the way I want them to’ – in other words, ‘finding your voice’ – is one of the major steps an author has to take. Cyber Katherine Mansfield – an author whose control over style was recently revealed with some previously unknown’ dark’ manuscripts. For some authors styling is like fly-away hair it seems to have a mind of its own. The problem is achieving that end point – keeping those pesky words under control. Hemingway, for instance – whose styling helped set twentieth century writing styles generally on their way – worked at it. Well known writers inevitably carry a distinctive style – a voice – that marks their writing. It’s not the only ingredient, but certainly one of the main components. There’s no question that author writing style is integral to their wider brand.

Writeitnow 4